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商务部:中国在共建“一带一路”国家设立境外企业2.2万家,商务部:中国在共建“一带一路”国家设立境外企业2.2万家_我的网站

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The prize is awarded every two years by the International Board on Books for Young People (IBBY) to a living author (since 1956) and illustrator (since 1966). The award is often referred to as the "Nobel Prize for children's literature," honoring lifelong achievements that have made a lasting and important contribution to children's literature.
During the award ceremony, IBBY President Basarat Kazim praised Cai for the elegant, unrushed style in her works, which encourages children to look closely and discover beauty in quiet corners, according to the Guangming Daily.
Kazim said Cai's works have an unhurried elegance that encourages children to look closely and discover beauty in quiet, everyday moment.
"This year's winner, Cai Gao, is extremely special. She is as beautiful a person as the drawings she does," Kazim said.
Following author Cao Wenxuan's win of the Hans Christian Andersen Awards as a writer of children's literature in 2016, Cai's achievement means that Chinese creators have now won both the author and illustrator categories, a "double victory."
In her acceptance speech, Cai said, "The future of the world lies in children. There is no greater happiness than creating for them." She also noted that children's books are bridges, connecting cultures and hearts around the world.
Reflecting on her childhood and her years teaching in rural villages, Cai recalled that after six years working as a rural primary school teacher in the 1980s, she joined a publishing house, where she spent two decades as a children's book editor. "This job taught me the most important lesson: to see life through the eyes of a child, and to use art as a way of expressing my feelings about life," she noted.
"I feel the profound weight of this gift from life. I'm filled with mixed emotions. I'm moved and grateful for everything I've been through. Every experience has shaped me into the person I am today," she added.
Alongside her editing career, Cai kept creating original picture books. Her well-known book Yueliang Baba is based on folk songs her grandmother would sing in her native Changsha dialect. Works like Huocheng 1938 (lit: Fire City 1938) were inspired by memories of wartime in Changsha, capital of Central China's Hunan Province. The rural scenery and farming scenes in The Land of the Peach Blossom, a book which is also listed as textbooks for primary school students in Japan, all reflect her lifelong connection to the Hunan countryside and many years quietly editing books at her desk, according to the China News Service.
Though her illustrations reflect the atmosphere of the times, Cai told the Global Times that her stories' true intentions go beyond the visual; she hopes her work can teach children that "fearlessness and love are ways to overcome hardship."
Books such as Bao'er, Hua Mulan, The Land of the Peach Blossom, and The Hundred Birds' Feather Robe have established Cai as an illustrator who skillfully interprets traditional Chinese culture. She constantly revisits the classics, striving to connect ancient stories to contemporary social and cultural themes.
Before winning the Hans Christian Andersen Award in 2026, Cai became, in 1993, the first Chinese illustrator to win the Golden Apple Award, one of the world's top international honors for children's illustration. Cai has always emphasized that these awards do not belong to her alone.
"When I learned that I had won the award, my first thought was of all the creators of my generation. This award is not just mine, it belongs to all of us," she said.
Cai's victory fills a six-decade gap for Chinese illustrators in the award's history, Zhang Peng, an associate professor at Nanjing Normal University and also president of the university's publishing house, told the Global Times. It also shows that original picture books, rooted in Chinese tradition and told with Eastern aesthetics, are fully capable of earning global recognition, Zhang added.
Zhang noted that for a long time, the Chinese children's book market was dominated by foreign imports, and local authors often struggled with the anxiety of imitating Western works. At 80, Cai has set a striking example for the industry with her use of ink-and-wash folk art, proving that the more grounded in national culture a work is, the wider its global reach. This has inspired greater confidence among local creators and encourages more people to focus on traditional Chinese culture, while paving the way for Chinese children's books to go global.
"Cai's achievement is no accident. It marks the moment when Chinese children's books truly found their own voice on the world stage," Zhang said.
。 中新社北京8月25日电 (记者 刘文文)中国商务部新闻发言人、副部长兼国际贸易谈判副代表凌激25日在北京表示,中国在共建“一带一路”国家设立境外企业2.2万家。 凌激在当日国新办举行的发布会上表示,近年来中国对外投资发展引人注目。一方面,对外投资规模稳居全球前列,并呈现出多元化的投资趋势。

二 | 2025年,中国对外投资流量是2135.8亿美元,比上年增长11.1%,对外投资存量已达到3.4万亿美元,连续9年保持在全球前三,占全球投资的比重增加到7.4%。 他说,对外投资的行业覆盖了国民经济的18个行业门类,过去传统的投资主要集中在租赁和商务服务、批发零售、制造业和金融这四个领域,近年来逐步向绿色低碳、数字经济和绿色矿产等领域稳步拓展。 另一方面,互利共赢成效显著。截止到2025年底,中国在境外设立的企业有5.8万家,遍布189个国家和地区,为东道国年均创造就业岗位超过200万个。凌激说,中国企业在海外积极融入全球和区域经济,不仅带动了自身发展,提升了竞争力,也为东道国产业发展和全球产供链作出了贡献。 此外,“一带一路”合作成果丰硕。凌激表示,2025年中国企业对共建“一带一路”国家的直接投资达到460.5亿美元,占当年对外投资流量的21.6%。中国在共建“一带一路”国家设立的境外企业是2.2万家,直接投资存量4072.5亿美元。“一带一路”为中国企业对外投资搭建了广阔平台,实现了“共商、共建、共享”的良好格局。

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